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How does it work?
VUCAVU works on a video-on-demand (VOD) basis. To rent a film or video, browse the catalogue, view details for individual films and videos, and click RENT when you find something to watch.
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You can create a customized list of films and videos to watch later. To add to your list, browse the catalogue and select the +MY LIST button.
This internship offers hands-on experience working on an innovative project that is at the intersection of digital strategy for the arts and education sectors. The successful candidate will perform tasks associated with communications, outreach, educational online program development, marketing, web content management and other tasks as needed. Application deadline: September 2, 2025 (End of day)
Fanny meets her high school friends for the annual Switch & Bitch Party.
This is video compilation is part of the educational guide produced as part of Archive/Counter-Archive’s (A/CA) Case Study, Through Feminist Lenses: Video Works at Groupe Intervention Vidéo with Groupe Intervention Vidéo.
A young songwriter seeks out her folk idol in a sleepy lakeside village, only to become enmeshed in a secretive society whose rituals safeguard the threshold between worlds.
This playful, poignant & memorable short shadow play, where humans take from forests whatever they desire - leaving nothing. A collaborative film by a Canadian filmmaker and a Japanese visual artist.
A look at the community response to the murder of Nirmal Singh Gill, a caretaker at the Guru Nanak Gurudwara in Surrey BC by 5 white supremacist skinheads in 1998.
"C'est à qui, cette ville?" is a response to the 1984 film, “Ville, Quelle Ville?” This original super 8 film documented various places in Toronto’s east end and reflected upon a young woman’s life in the city.
VHS video documentation of The images, such as they are, do have an effect on us: PORN Dossier. The envelope and folders are opened and the contents examined.
Filmed sporadically and intuitively during the summer months of 2020 and 2021, Homunculi is a recontextualization of a personal archive of hand processed 16mm “home movies” and various cinematographic experiments.
Clash of cultures, care of the elderly and four women trying to make sense of their unravelling family, this is Mum Singh.
While narrating letters written to her ex, a woman attempts to cast away the lingering shadows of the relationship and overcome feelings of rejection and failure.
Two sisters attempt to find common understanding amidst bickering.
A shortened version of the synopsis that must be less than 500 characters in length. This teaser appears in a pop up when a user hovers their cursor on a title image in our search or other pages.
A female firefighter takes her daughter along for a day on the job.
Did you know that many First Nations schools get less money than provincial schools? Shannen Koostachin, a young leader from Attawapiskat First Nation, knew this was wrong, and so does Spirit Bear.
A young loner struggles to make connection at a haunted summer camp.
Spirit Bear's friends teach him about residential schools and how he can help with reconciliation!
As he is making a didgeridoo, Bernard Bosa tells us what vibration is for him, what it has done in his life.
A presentation for filmmakers and artists with VUCAVU.com’s Digital Programming Intern, Stephanie Poruchnyk-Butler.
Chilean refugee Daniela (Carmen Aguirre) wants to travel back to Chile to learn more about her family as her father is reluctant to talk about his past. But she is about find out much more than she expected.
Digital video documentation of The images, such as they are, do have an effect on us: PORN Dossier. The envelope and folders are opened and the contents examined.
We're delighted to launch A/CA's Educational Guide series; a project and research network dedicated to the activation and preservation of audiovisual archives created by Aboriginal peoples (First Nations, Métis, Inuit), Black communities and people of color, women, LGBT2Q+ and immigrant communities.
Since the launch of the VUCAVU platform in 2016, we have collaborated with artists, educators, and arts organizations across the country to present a wide variety of independent Canadian films and video art online. Artists are always compensated for the dissemination of their works, and the artworks can often be rented individually for VOD viewing after the programming free period has expired. Programs are always accompanied by bilingual curatorial texts exploring the themes addressed in the selection, and many of them also include recordings of roundtable discussions and conversations with the artists!
A young woman enters a crisis on the eve of her 19th birthday as she realizes she is about to out-age her older sister who died at 18.
Visitors to the Carnegie Library Pittsburgh expound on a myriad of thoughts and opinions, while a caricaturist listens on and captures their likeness.
A hard-hitting work that, to paraphrase Jean Genet, gives a voice to the unexpressed.
Transformed into a salmon, an Indigenous street artist travels through decayed urban landscapes to the forests of long ago, in this sublime mixed animation.
A non-linear narrative about women, witches and contemporary reclaiming of women’s spirituality.
Ties that bind beyond the last light.
While filming his native land, David B. Ricard is entrusted with the task of documenting the creating process of a show of poetry and music across the Canadian Francophonie. This project gives him the opportunity to question the relationship to rooting (land, language), adaptation (poetry, territory) and the process of relationship with the other (team, subject).
The artist ponders the possibilities of reconciliation.
Inside the Quebec student strike.
A veritable aesthetic fresco blending portrait, political documentary and experimental cinema, Miron : a man returned from outside the world recounts the people of Quebec’s collective journey through the work of their greatest poet, Gaston Miron.
yaya/ayat explores identities, being lost in translation and distance through the eyes of a young woman.
To create "Constars", Donna and Lori improvised for over three hours in a hotel room with several suitcases of costumes and makeup. Their goal was to "find" as many characters as they could wearing each other's clothes, eyeglasses, wigs, etc.
This collaborative work was made by Jaylene and Winona along with their mentor Jackie Traverse as an experimentation for their first film.
With lyrics by Nishnaabeg poet Leanne Betasamosake Simpson, How to Steal a Canoe tells the story of a young Nishnaabeg woman and an old Nishnaabeg man rescuing a canoe from a museum and returning it to the lake where it was meant to be.
This intricate stop-motion animation interlaces Canada’s colonial past with writer-director Amanda Strong’s personal family history — and illuminates Cree, Métis, and Anishinaabe reclamation of culture, language, and Nationhood. (Danis Goulet, TIFF)
It’s the Lone Ranger Show!
In an urban backyard a clown washes an oil-soaked owl.
A short film on the subject of Indigenous Love. What is (romantic) love? And what does it mean to you? 8 couples share their thoughts
Oil Sands issues are discussed at length by celebrities, activists and politicians. Will you listen to those living downstream of industry?
Is the word “Indian” a label for Canadian Aboriginals to reject or reclaim?
A granddaughter embarks on a search for her grandfather's roots and finds much more.
Réflexion sur le rôle et le pouvoir des femmes dans les communautés autochtones du Nord et du Sud.
Cuthand uses a latent gas mask fetish as a jumping off point for looking at their role as a participant in the Whitney Biennial during a contentious year for the museum which had a war profiteer on the board.
The film captures the diversity of the neighbourhood at that time.
This film is available in French only.
In their familiar, humorous style, Millan and Dempsey explore the elements of passionate lesbian love. A woman stands in isolation, clad in a paper ball gown that is both fragile and stiff. On it, and on her environment, are reflected projections of her desire and its denial.
In this experimental documentary, an animation the filmmaker’s father made with Norman McLaren decades ago becomes a meditation on art, invention, fathers and daughters.
This video is available in French only. Use the Search or Explore site tools to select non-dialogue or English-language films and videos.
Métis, Métis Not is a video documentation of the filmmaker’s lack of relationship with her cultural background
Nine women from Montreal reveal themselves to the camera. They are lesbian, bisexual and two-spirited. They come from Malaysia, Tunisia, Lebanon, Guinea and Ghana. Some are First Nations women. They reveal their sometimes painful, sometimes effortless passages leading to the acceptance of their sexual orientations...
My father and I are talking about life while the children play in the rain.
Butch women discuss the sometimes complicated relationship they have with their breasts.
A street flyer leads to a surprising discovery.
Brief Encounters & Sustained Engagement is part of the AVATAR series exploring methods of creating, validating and disseminating one’s identity through the use of technology and the Internet. The series is inspired by the mantra “I post therefore I am”, whereby Internet users legitimize their existence by documenting their lives and uploading this media to personal webpages and blogs. The work in this series facilitates an inquiry into our desire to share and publicize our lives.
Based on a true story from Regina’s history, an argument over sheet music leads to a quarrel of sorts in Victoria Park.
Sydnie Baynes is a Toronto-based multimedia artist and animator currently studying at OCAD University. She holds a BFA in Film Animation and creates work that explores Black history, identity, and self-love through storytelling and digital media. Her artistic practice bridges the worlds of education and independent media, with a focus on accessibility, empowerment, and cultural preservation. Welcome to the team Sydnie!