Ville-quelle ville? (4 min.,1984): While Onodera's earlier work explored the possibility of imaging women's subjective relationship to a world constructed through male-dominated codes of representation, “Ville-quelle ville? ” moves into the genre of the film-poem, utilizing a voice-over to emphasize the disjunction of the documentary image and the subjective impressions which constitute a woman's internal reality.
Part of the triptych “Three Short Films.”