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How does it work?
VUCAVU works on a video-on-demand (VOD) basis. To rent a film or video, browse the catalogue, view details for individual films and videos, and click RENT when you find something to watch.
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You can create a customized list of films and videos to watch later. To add to your list, browse the catalogue and select the +MY LIST button.
This internship offers hands-on experience working on an innovative project that is at the intersection of digital strategy for the arts and education sectors. The successful candidate will perform tasks associated with communications, outreach, educational online program development, marketing, web content management and other tasks as needed. Application deadline: September 2, 2025 (End of day)
Fanny meets her high school friends for the annual Switch & Bitch Party.
This is video compilation is part of the educational guide produced as part of Archive/Counter-Archive’s (A/CA) Case Study, Through Feminist Lenses: Video Works at Groupe Intervention Vidéo with Groupe Intervention Vidéo.
A look at the community response to the murder of Nirmal Singh Gill, a caretaker at the Guru Nanak Gurudwara in Surrey BC by 5 white supremacist skinheads in 1998.
A young loner struggles to make connection at a haunted summer camp.
VHS video documentation of The images, such as they are, do have an effect on us: CENSORSHIP dossier. The envelope and folders are opened and the contents examined.
Filmed sporadically and intuitively during the summer months of 2020 and 2021, Homunculi is a recontextualization of a personal archive of hand processed 16mm “home movies” and various cinematographic experiments.
Did you know that many First Nations schools get less money than provincial schools? Shannen Koostachin, a young leader from Attawapiskat First Nation, knew this was wrong, and so does Spirit Bear.
As he is making a didgeridoo, Bernard Bosa tells us what vibration is for him, what it has done in his life.
Chilean refugee Daniela (Carmen Aguirre) wants to travel back to Chile to learn more about her family as her father is reluctant to talk about his past. But she is about find out much more than she expected.
Digital video documentation of The images, such as they are, do have an effect on us: PORN Dossier. The envelope and folders are opened and the contents examined.
A presentation for filmmakers and artists with VUCAVU.com’s Digital Programming Intern, Stephanie Poruchnyk-Butler.
Two sisters attempt to find common understanding amidst bickering.
Spirit Bear's friends teach him about residential schools and how he can help with reconciliation!
Clash of cultures, care of the elderly and four women trying to make sense of their unravelling family, this is Mum Singh.
A shortened version of the synopsis that must be less than 500 characters in length. This teaser appears in a pop up when a user hovers their cursor on a title image in our search or other pages.
VHS video documentation of The images, such as they are, do have an effect on us: PORN Dossier. The envelope and folders are opened and the contents examined.
While narrating letters written to her ex, a woman attempts to cast away the lingering shadows of the relationship and overcome feelings of rejection and failure.
"C'est à qui, cette ville?" is a response to the 1984 film, “Ville, Quelle Ville?” This original super 8 film documented various places in Toronto’s east end and reflected upon a young woman’s life in the city.
Artist Talk with Farrah Miranda & Evelyn Encalada Grez (With Audio Description)
We're delighted to launch A/CA's Educational Guide series; a project and research network dedicated to the activation and preservation of audiovisual archives created by Aboriginal peoples (First Nations, Métis, Inuit), Black communities and people of color, women, LGBT2Q+ and immigrant communities.
Since the launch of the VUCAVU platform in 2016, we have collaborated with artists, educators, and arts organizations across the country to present a wide variety of independent Canadian films and video art online. Artists are always compensated for the dissemination of their works, and the artworks can often be rented individually for VOD viewing after the programming free period has expired. Programs are always accompanied by bilingual curatorial texts exploring the themes addressed in the selection, and many of them also include recordings of roundtable discussions and conversations with the artists!
"Taxi for Two" poetically and visually explores the universe of two eccentric Montreal taxi drivers.
Produced for Much Music’s Word Up program, "What Does a Lesbian Look Like?" examines a plethora of big dyke stereotypes and embraces them. Performed by Shawna Dempsey and a whole whack of gals. Created by Dempsey and Millan.
After 15 years of living in Montréal, Hind returns to Morocco, her country of origin.
An experimental short exploring the absences and buried histories that follow the act of leaving home, filtered through the many routes that leaving home takes for a "Canadien" daughter of Yugoslav immigrants: cultural displacement, assimilation, mother/daughter histories, sexuality and memory.
Short, Castle and Nehls carefully craft floating hands in space with their laptop computer creating surprising pleasurable effects with their mere hand movements
In the stories of adoption, the mothers who gave birth were invisible. Exiled Mothers takes us on the artist Sharon Alward’s journey to recover her own repressed, secret, shaming memories from relinquishing her daughter in 1971.
Inkster’s beautiful fiction references the destruction of Africville on the outskirts of Halifax in 1969. Four characters speak directly to the came ra about their lives and sexuality. This use of direct address says docu mentary, but the actors speak Inkster’s bittersweet words.
I lost my mind from working at a government call centre. This is my story.
For almost 40 years, Colette Whiten has quietly and powerfully challenged gender dynamics, political power and mass media imagery... This video portrait was commissioned by the Canada Council for the Arts and the IMAA.
An excerpt from the feature length film "A GOOD MADNESS - The Dance of Rachel Browne" celebrating the life and work of choreographer and founder of Winnipeg’s Contemporary Dancers, Rachel Browne.
Maiden Indian follows three women on a journey from the mall toward a deeper understanding of self.
The body in the techno craze? The Defense Advanced Research Projects Agency? Biopiracy and indigeneity? Military Robotics? Trafficking of women over the internet? E-Waste? Autobiographical and contemporary, this interpretation of the delusions and illusions of the technocultural era delivers us Out, Into This World….
It started with a shot in a back alley, rage and frustration. It ended with a rap video about intolerance. Produced through the Aboriginal Teen Video Initiative.
Longboy outs himself as a First Nations FAG - who is living with HIV - hoping to sever attached preconception of two spirited peoples. In a contemplative search, the artist recollects how HIV/AIDS has affected him and his surrounding community, revealing a strength through loss.
Treaty X features an audio track and a layering of composited video footage with themes of connection/disconnection to land and waters, treaty rights, and the way capitalism monetizes nature. The Treaty #3 territory comprises 55,000 hectares of land, and annuity payments of $5 have never been adjusted for inflation.
A woman transforms into Louis Riel in an exploration of Métis identity.
Short experimental, found footage film.
Video collage, documenting a week spent in Chicago.
Retro children’s TV takes a comical jab when one letter of the alphabet gets a new association.
A split-screen video of the Trans-Canada Highway and the single Access Road on our Reserve, the Lac des Mille Lacs First Nation / Nezaatiikang, located north-west of Thunder Bay. Before the completion of the Access road in the late 2000's, the Reserve was only accessible by water. The roads work as metaphor of Colonization by revealing disparity between Canada and Indigenous Nations.
High Altitude explores what it means to be an Indigenous artist in the modern world.
Shot on Bolex, and hand-processed, the short film documents the steps of creating an oil painting. Narrated by rural Manitoba artist Vivian Paschke.
This video uses the word Apocalypse not only in the original Greek sense (revelation) but also with an eschatological bent (the end of all things). End of the world. Loss. A dirge. A visual meditation on the tension between the natural world and what we've made of it.
A deeply intimate look at the frightening realities of food insecurity in First Nations communities.
A defensive/offensive statement is written in salt....slowly and definitely.
Beware the forest, beautiful yet treacherous.
Only by looking back, there is an understanding of finding yourself on a moon-like space.
This video is available in French only. Use the Search or Explore site tools to select non-dialogue or English-language films and videos.
A hand-processed, black-and-white ode to the secret world of moon jellyfish (Aurelia aurita). The tide goes in, the tide goes out revels in the material and chemical qualities of the film medium, with the fragility of the film mirroring that of the jellyfish. Festival premiere at Images Festival 2012 (Toronto, ON)
The word ‘hyper’ is derived from the Greek ‘above, beyond or outside’. In mathematics, hyper is used as a prefix, to denote four or more dimensions. Specifically, this work explores the possibility of passing to a fourth dimension wherein perception of past, present, and future becomes more fluid. This video was created in residency at Studio 303 Interdisciplinary Performance Centre in Montreal.
This video work portrays the story of thousands of unemployed men who hopped freight trains for Ottawa demanding work, wages and an end to relief camps in 1935.
This film is available in French only.
Pierre is a Montreal born belly dancer of Syrian origin. Belly dance is an art that is mainly performed by women, but men also have a role in the history of this dance. This short documentary presents Pierre’s story as well as...
A dreamer, a rebel and a makeover is good.
Passed on and denied from generation to generation, spousal abuse is rarely treated from the point of view of the abuser.
Sydnie Baynes is a Toronto-based multimedia artist and animator currently studying at OCAD University. She holds a BFA in Film Animation and creates work that explores Black history, identity, and self-love through storytelling and digital media. Her artistic practice bridges the worlds of education and independent media, with a focus on accessibility, empowerment, and cultural preservation. Welcome to the team Sydnie!