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How does it work?
VUCAVU works on a video-on-demand (VOD) basis. To rent a film or video, browse the catalogue, view details for individual films and videos, and click RENT when you find something to watch.
What is MY LIST?
You can create a customized list of films and videos to watch later. To add to your list, browse the catalogue and select the +MY LIST button.
VUCAVU.education is a streaming platform that gives educators and students access to a curated selection of independent Canadian film and video art spanning more than 50 years. The shared catalogue includes documentary, fiction, experimental, and animation titles from artists across Canada, offering many unique views into the country’s cultural landscape.
VUCAVU.education is an initiative of the VUCAVU.com platform.
The VUCAVU team, in consultation with our content partners, have made the decision to slowly shut down our view-on-demand (VOD) services on our platform to make way for a new direction in our operations. VOD changes will occur on VUCAVU over the coming months. As we make changes to the platform with our developers, we will periodically update this page and share news in our regular communications.
Fanny meets her high school friends for the annual Switch & Bitch Party.
A young songwriter seeks out her folk idol in a sleepy lakeside village, only to become enmeshed in a secretive society whose rituals safeguard the threshold between worlds.
This is video compilation is part of the educational guide produced as part of Archive/Counter-Archive’s (A/CA) Case Study, Through Feminist Lenses: Video Works at Groupe Intervention Vidéo with Groupe Intervention Vidéo.
Follow along with Spirit Bear as he realizes the importance of learning history to make better decisions now and for future generations of kids and cubs.
A look at the community response to the murder of Nirmal Singh Gill, a caretaker at the Guru Nanak Gurudwara in Surrey BC by 5 white supremacist skinheads in 1998.
This playful, poignant & memorable short shadow play, where humans take from forests whatever they desire - leaving nothing. A collaborative film by a Canadian filmmaker and a Japanese visual artist.
A presentation for filmmakers and artists with VUCAVU.com’s Digital Programming Intern, Stephanie Poruchnyk-Butler.
Two sisters attempt to find common understanding amidst bickering.
Did you know that many First Nations schools get less money than provincial schools? Shannen Koostachin, a young leader from Attawapiskat First Nation, knew this was wrong, and so does Spirit Bear.
A female firefighter takes her daughter along for a day on the job.
Digital video documentation of The images, such as they are, do have an effect on us: PORN Dossier. The envelope and folders are opened and the contents examined.
A young loner struggles to make connection at a haunted summer camp.
VHS video documentation of The images, such as they are, do have an effect on us: CENSORSHIP dossier. The envelope and folders are opened and the contents examined.
Spirit Bear's friends teach him about residential schools and how he can help with reconciliation!
Filmed sporadically and intuitively during the summer months of 2020 and 2021, Homunculi is a recontextualization of a personal archive of hand processed 16mm “home movies” and various cinematographic experiments.
Chilean refugee Daniela (Carmen Aguirre) wants to travel back to Chile to learn more about her family as her father is reluctant to talk about his past. But she is about find out much more than she expected.
While narrating letters written to her ex, a woman attempts to cast away the lingering shadows of the relationship and overcome feelings of rejection and failure.
Amidst a biodiverse wasteland on the brink of being enveloped by encroaching bitumen, the enigmatic Beast of the Earth materializes in a prophetic dance.
As he is making a didgeridoo, Bernard Bosa tells us what vibration is for him, what it has done in his life.
Inspired by the artwork and sculptures of Walter Yarwood. This abstract film was created by carving stamps and applying the images directly onto the film using bleach.
Thinking of home? In this installation/performance, Poruchnyk builds an outdoor set of a metal airplane hull and seating. This bilingual piece investigates communication, work and the motions of work as a dance.
"This film is available in French only. Use the Search or Explore site tools to select non-dialogue or English-language films and videos." "La naissance d'une messe" met en lumière le travail des comédiens et artisans réunis autour d'André Brassard pour la création de la pièce de Michel Tremblay, Messe solennelle pour une pleine lune d'été.
The funny, touching, and true story of Doreen Brownstone, Winnipeg’s own star of stage and screen: her story is our history.
A super 8mm document of the first Keyhole Collage party hosted by Guy Maddin and Paul Butler. Shot and edited in camera by Guy Maddin.
A stain mysteriously appears on a woman’s clothes. Is it real? Is it dangerous? Where did it come from, and above all, how to get it out? Who is responsible for the anger that remains after an everyday sexual assault?
This film is available in French only.
A portrait of bombastic film producer Greg Klymkiw, who was a major player in the DIY Winnipeg film scene of the 1980s and was instrumental in launching Guy Maddin's career.
The act of creating work is often seen as magical and sacred. The realities of diving into the process are anything but.
He’s a priest, he doesn’t say Mass and yet, every Sunday he assembles the same group of people at St. Gemma’s Church.
Cliff Eyland looks back on his life as a visual artist after a successful double-lung-transplant.
Seduction isn’t always about a beautiful score.
Eddy, a psychic, nervous, little satyr and part-time on-line sex worker, makes crafts with viewers as he speaks about the pain of witnessing sexual violence.
Let the House of Venus take you on a freaky ride in a funhouse of the bizarre and horrific.
A could've-been love story.
A grieving woman who spends too much time in her car starts to think that it might be haunted.
Based on real-life experiences, CAMP recounts the stories of homosexual survivors of the WWII concentration camps.
Spiritual sanctuary, sex, sisterhood and a gathering of faeries.
The “Manholes” series takes a pan of a single male figure and fragments it into a grid of peepholes. The microscopic mapping of the body is intimate yet clinical. The cascading body parts create a kaleidoscope of changing skin tones. It is difficult to find the point of origin on the subject’s body, though occasionally signifiers make it possible; an eye, a nipple or the toes suddenly orient the viewer.
A lonely lighthouse keeper rescues his fantasy: a frostbitten man on the rocks.
This video tells the story of a big boned butcher who finds passion and purpose. Both the public and the private lives of this “strange animal” are documented with the same mix of reverence and glee found in the exposés Bull-Dyke mocks. However, because we see the world through the eyes of the subject, this fictionalized history is filled with all the joy, pain and ambivalence each of us experiences.
This piece addresses the astonishing rate of transformation in the contemporary Chinese cityscape.
disobedience is the visually lush journey of a mother on the lam. Warned by her three-year old son to " never go down to the end of the town", she nonetheless ventures far beyond the confines of home, heterosexuality, and the physical world. In punishment for her infatuation with an operatic Valkyrie, she is arrested, interned, stolen by pirates, and x-rayed by a book-eating bull-dyke. She loses her eye (and her way home), but in the end receives the gift of self.
This video work is an experiment in self-love. BDSM and sex as a solo venture towards healing, growth, and transformation. Facing insecurity, welcoming loneliness, building strength to continue on living and loving myself.
WÎSKACÂN is an experimental contemporary dance film utilizing Bunraku-style tabletop puppetry and object performance. Video, Puppet Design, Performance, and Music by Tyson Houseman. This project was made as part of Canada Council for the Arts Digital Originals initiative, and I acknowledge the support of the Canada Council for the Arts.
A woman transforms into Louis Riel in an exploration of Métis identity.
High Altitude explores what it means to be an Indigenous artist in the modern world.
"The Way We Are" shares excerpts of stories from audio interviews with 4 queer Asian women living in Toronto: Katherine Chun, Wenda Li, Tamai Kobayashi, and Nancy Seto. Told in the present-tense, these stories are arranged in a way that explores the past as the present, and in doing so, immersing viewers into the real-lived experiences from a different generation.
A split-screen video of the Trans-Canada Highway and the single Access Road on our Reserve, the Lac des Mille Lacs First Nation / Nezaatiikang, located north-west of Thunder Bay. Before the completion of the Access road in the late 2000's, the Reserve was only accessible by water. The roads work as metaphor of Colonization by revealing disparity between Canada and Indigenous Nations.
"ôtênaw" is a film documenting the oral storytelling of Dwayne Donald, an educator from Treaty 6, Edmonton Canada. Drawing from nêhiyawak philosophies, he speaks about the multilayered histories of Indigenous peoples’ presence both within and around amiskwacîwâskahikan, or what has come to be known as the city of Edmonton.
Toronto, July 27, 2013, shortly after midnight.
This video interrogates how subjectivities, political stances, and modes of social engagement formed elsewhere contribute to our positioning within the local, cultural landscape of Vancouver.
Exploring the legacy of the Indian Residential School system by looking at its history, present conditions and hopes for the future.
Hoop Dancers is a silent video featuring four young men in powwow regalia playing pick-up basketball.
There are many memories of childhood that have slipped through the cracks. Most that I can recollect were of the differences in myself in comparison to the others around. Taken away at one week of age from my Indian community and given to a white foster family, my experience of the authentic Indian and where my placement is, within this dream of authenticity, comes from an infected locale.
One Story was originally produced as part of the Community Play “Travois” in 1994. It is a look into the various complicated and overlapping stories that inform the current urban and traditional culture of the First Nations peoples. The questionable politics that dictate Status and the paternalism of Treaty Days are juxtaposed with the pow wow, the voice of graffiti and the street.
Since the launch of the VUCAVU platform, we've collaborated with hundreds of artists, arts organizations and educators from across Canada to present bilingual curated and educational programming online. Artists always receive royalties and screening fees from these programs and they often include additional educational resources such as recordings of roundtable discussions and artist talks. After the paid or free programming period expires, available artworks can be rented individually.
We're delighted to launch A/CA's Educational Guide series; a project and research network dedicated to the activation and preservation of audiovisual archives created by Aboriginal peoples (First Nations, Métis, Inuit), Black communities and people of color, women, LGBT2Q+ and immigrant communities.
Discover our new VUCAVU.education postcards designed by Emil Woudenberg from Strike Design Studio, featuring a still from Caroline Blais’ film “Étoiles” (available for VOD on VUCAVU!). We’re pleased to pay Caroline for using their image and are dedicated to building VUCAVU in community with artists.