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How does it work?
VUCAVU works on a video-on-demand (VOD) basis. To rent a film or video, browse the catalogue, view details for individual films and videos, and click RENT when you find something to watch.
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You can create a customized list of films and videos to watch later. To add to your list, browse the catalogue and select the +MY LIST button.
This internship offers hands-on experience working on an innovative project that is at the intersection of digital strategy for the arts and education sectors. The successful candidate will perform tasks associated with communications, outreach, educational online program development, marketing, web content management and other tasks as needed. Application deadline: September 2, 2025 (End of day)
Fanny meets her high school friends for the annual Switch & Bitch Party.
A young songwriter seeks out her folk idol in a sleepy lakeside village, only to become enmeshed in a secretive society whose rituals safeguard the threshold between worlds.
This is video compilation is part of the educational guide produced as part of Archive/Counter-Archive’s (A/CA) Case Study, Through Feminist Lenses: Video Works at Groupe Intervention Vidéo with Groupe Intervention Vidéo.
A look at the community response to the murder of Nirmal Singh Gill, a caretaker at the Guru Nanak Gurudwara in Surrey BC by 5 white supremacist skinheads in 1998.
"C'est à qui, cette ville?" is a response to the 1984 film, “Ville, Quelle Ville?” This original super 8 film documented various places in Toronto’s east end and reflected upon a young woman’s life in the city.
VHS video documentation of The images, such as they are, do have an effect on us: PORN Dossier. The envelope and folders are opened and the contents examined.
Digital video documentation of The images, such as they are, do have an effect on us: PORN Dossier. The envelope and folders are opened and the contents examined.
Two sisters attempt to find common understanding amidst bickering.
A young loner struggles to make connection at a haunted summer camp.
VHS video documentation of The images, such as they are, do have an effect on us: CENSORSHIP dossier. The envelope and folders are opened and the contents examined.
Spirit Bear's friends teach him about residential schools and how he can help with reconciliation!
Chilean refugee Daniela (Carmen Aguirre) wants to travel back to Chile to learn more about her family as her father is reluctant to talk about his past. But she is about find out much more than she expected.
Filmed sporadically and intuitively during the summer months of 2020 and 2021, Homunculi is a recontextualization of a personal archive of hand processed 16mm “home movies” and various cinematographic experiments.
A shortened version of the synopsis that must be less than 500 characters in length. This teaser appears in a pop up when a user hovers their cursor on a title image in our search or other pages.
While narrating letters written to her ex, a woman attempts to cast away the lingering shadows of the relationship and overcome feelings of rejection and failure.
A presentation for filmmakers and artists with VUCAVU.com’s Digital Programming Intern, Stephanie Poruchnyk-Butler.
Clash of cultures, care of the elderly and four women trying to make sense of their unravelling family, this is Mum Singh.
Did you know that many First Nations schools get less money than provincial schools? Shannen Koostachin, a young leader from Attawapiskat First Nation, knew this was wrong, and so does Spirit Bear.
As he is making a didgeridoo, Bernard Bosa tells us what vibration is for him, what it has done in his life.
We're delighted to launch A/CA's Educational Guide series; a project and research network dedicated to the activation and preservation of audiovisual archives created by Aboriginal peoples (First Nations, Métis, Inuit), Black communities and people of color, women, LGBT2Q+ and immigrant communities.
Since the launch of the VUCAVU platform in 2016, we have collaborated with artists, educators, and arts organizations across the country to present a wide variety of independent Canadian films and video art online. Artists are always compensated for the dissemination of their works, and the artworks can often be rented individually for VOD viewing after the programming free period has expired. Programs are always accompanied by bilingual curatorial texts exploring the themes addressed in the selection, and many of them also include recordings of roundtable discussions and conversations with the artists!
A constructed cinematic space where life and death exist.
A place called home, a North End poem.
In this Maxi-Mexi-Melancolour short, the widow Paramo attempts to prevent further familial tragedy.
A year of pictures mash into an intense viewing experience.
A woman creates a runway to fly up into the "clear blue" above an endless landscape.
After Birth, an inter-generational journey to return to a ceremonial custom of burying the ‘after birth.’ Together three women and their kids walk the land and affirm their intergenerational knowledge and active presence in ancestral memories and matrilineal leadership.
"Americano" is filmmaker Carlos Ferrand’s road-movie about his trip through the Americas from Patagonia to the Arctic.
Terra Velha is a visual and sonic study of disparate landscapes within the islands of the Azores
Métis, Métis Not is a video documentation of the filmmaker’s lack of relationship with her cultural background
Video collage that approaches memory and how we remember, by overlaying images and sound, to create a disorienting moment in time.
yaya/ayat explores identities, being lost in translation and distance through the eyes of a young woman.
Alice is in a race against time to get basic human rights for her son Kevin, who has Cerebral Palsy.
A woman reconnects with her grandmother's past through drawings done by Daphne Odjig
The re-imagination of the generational passage of traditional knowledge between a woman and her grandmother moon.
Fleeting Encounters
Spirit Bear tells a tragic story of Jordan River Anderson, and unfairness towards Indigenous Kids.
Transformed into a salmon, an Indigenous street artist travels through decayed urban landscapes to the forests of long ago, in this sublime mixed animation.
Dedicated to the artist’s father, this experimental tape begins sorting through identities contaminated by the generalized racism of white society and its degrading commercial exploitation of Native culture, i.e., “Indian” drums and doll souvenirs. Five young natives search for reconnection to their families, their stories, traditions and their role within community.
An Ojibwe boy falls in love with Grandfather Sun, and recites an Anishinaabe language morning prayer with a few slight alterations. Thank you Grandfather. Miigwetch Nshoomis. I love the feel of your light on my skin. Gotta love that Vitamin D. The language used in this piece is Anishinaabe/Ojibwe.
Gerry Barret: The Original Aboriginal takes us from studio interview to the stage at Rumor’s Comedy Club and the Cat Sass Tavern. Gerry’s repertoire includes topics like: what should an Indian D.J. sound like on the radio?... A day in the life of Canada’s first native prime minister... a ballad to Elijah Harper and much more, including a stop at a movie shoot.
A lively look at the lives and musical roots of Aboriginal women from across North America.
This intricate stop-motion animation interlaces Canada’s colonial past with writer-director Amanda Strong’s personal family history — and illuminates Cree, Métis, and Anishinaabe reclamation of culture, language, and Nationhood. (Danis Goulet, TIFF)
This video is seen how you see it. The things you hear is how you hear it. I'm not going to tell you how to feel when you watch my video. You see what you want to see.
Recording artist Troy Jackson calls for sassy, irreverent voices to join a chorus of queers, who demand justice and equality for all.
In this looped video, women in a quilting-bee configuration weave delicate replicas of spider webs.
A tarot card reader gives off-putting advice to a lovelorn gal about how to keep a man.
Falling Into Chaos is a world where the seminal space between beauty and glitch-chaos combine into a soothing balance.
Irene the Lionhearted is an intimate, historical and poetic account of the life of Irene Kon, as seen through the eyes of her granddaughter.
Memories are bridges.
That formidable force of conservation officials, Lesbian National Parks and Services, presents three portraits of lesbian species in crisis. Not unlike the renowned 1970s Hinterlands Who's-Who series, these public service announcements point to the perils of habitat loss and poaching. The Marxist Feminist, the Lesbian Separatist and the Bull-Dykus Americanus are featured in this parody of nature education.
En revisitant ses souvenirs d’enfance, une femme s’interroge sur la maternité.
A manuscript, written in 1954 to aid missionaries working among the Cree speaking natives of northern Saskatchewan, Canada, is the basis for this reflective narrative.
Iron filings and magnets become tools of divination as a dowser conducts a site reading of a drill cuttings sample from an abandoned oil well in Alberta, Canada.
Trois départs: Montréal, Longueuil, Rivière du Loup, trois contingents, une même destination, l’Assemblée nationale à Québec. Plus d’un millier de femmes ont marché contre la pauvreté.
"The Way We Are" shares excerpts of stories from audio interviews with 4 queer Asian women living in Toronto: Katherine Chun, Wenda Li, Tamai Kobayashi, and Nancy Seto. Told in the present-tense, these stories are arranged in a way that explores the past as the present, and in doing so, immersing viewers into the real-lived experiences from a different generation.
Sydnie Baynes is a Toronto-based multimedia artist and animator currently studying at OCAD University. She holds a BFA in Film Animation and creates work that explores Black history, identity, and self-love through storytelling and digital media. Her artistic practice bridges the worlds of education and independent media, with a focus on accessibility, empowerment, and cultural preservation. Welcome to the team Sydnie!