A film about seeing and having seen. Completely hand-processed and painstakingly edited, 'SEE/SAW' is comprised of a series of iris fades - commonly found in silent films to signal the beginning or end of a scene - re-appropriated as a formal approach that frames the desire to see and to remember. Dichotomies surface in the high contrast images - opening/closing, beginning/ending, light/dark - it is also a deeply personal film that faces the imminence of not being.