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How does it work?
VUCAVU works on a video-on-demand (VOD) basis. To rent a film or video, browse the catalogue, view details for individual films and videos, and click RENT when you find something to watch.
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You can create a customized list of films and videos to watch later. To add to your list, browse the catalogue and select the +MY LIST button.
VUCAVU.education is a streaming platform that gives educators and students access to a curated selection of independent Canadian film and video art spanning more than 50 years. The shared catalogue includes documentary, fiction, experimental, and animation titles from artists across Canada, offering many unique views into the country’s cultural landscape.
VUCAVU.education is an initiative of the VUCAVU.com platform.
Fanny meets her high school friends for the annual Switch & Bitch Party.
A young songwriter seeks out her folk idol in a sleepy lakeside village, only to become enmeshed in a secretive society whose rituals safeguard the threshold between worlds.
This is video compilation is part of the educational guide produced as part of Archive/Counter-Archive’s (A/CA) Case Study, Through Feminist Lenses: Video Works at Groupe Intervention Vidéo with Groupe Intervention Vidéo.
A look at the community response to the murder of Nirmal Singh Gill, a caretaker at the Guru Nanak Gurudwara in Surrey BC by 5 white supremacist skinheads in 1998.
This playful, poignant & memorable short shadow play, where humans take from forests whatever they desire - leaving nothing. A collaborative film by a Canadian filmmaker and a Japanese visual artist.
While narrating letters written to her ex, a woman attempts to cast away the lingering shadows of the relationship and overcome feelings of rejection and failure.
A presentation for filmmakers and artists with VUCAVU.com’s Digital Programming Intern, Stephanie Poruchnyk-Butler.
Did you know that many First Nations schools get less money than provincial schools? Shannen Koostachin, a young leader from Attawapiskat First Nation, knew this was wrong, and so does Spirit Bear.
VHS video documentation of The images, such as they are, do have an effect on us: CENSORSHIP dossier. The envelope and folders are opened and the contents examined.
Filmed sporadically and intuitively during the summer months of 2020 and 2021, Homunculi is a recontextualization of a personal archive of hand processed 16mm “home movies” and various cinematographic experiments.
Digital video documentation of The images, such as they are, do have an effect on us: PORN Dossier. The envelope and folders are opened and the contents examined.
Clash of cultures, care of the elderly and four women trying to make sense of their unravelling family, this is Mum Singh.
Two sisters attempt to find common understanding amidst bickering.
VHS video documentation of The images, such as they are, do have an effect on us: PORN Dossier. The envelope and folders are opened and the contents examined.
Amidst a biodiverse wasteland on the brink of being enveloped by encroaching bitumen, the enigmatic Beast of the Earth materializes in a prophetic dance.
"C'est à qui, cette ville?" is a response to the 1984 film, “Ville, Quelle Ville?” This original super 8 film documented various places in Toronto’s east end and reflected upon a young woman’s life in the city.
A shortened version of the synopsis that must be less than 500 characters in length. This teaser appears in a pop up when a user hovers their cursor on a title image in our search or other pages.
Spirit Bear's friends teach him about residential schools and how he can help with reconciliation!
A young loner struggles to make connection at a haunted summer camp.
Chilean refugee Daniela (Carmen Aguirre) wants to travel back to Chile to learn more about her family as her father is reluctant to talk about his past. But she is about find out much more than she expected.
Colours appear, long enough for thoughts to arise. At this point only an image emerges.
The dreams of a frightened baby elephant, animated in the old Disney style, with the music of the Electric Light Orchestra.
This animation uses watercolor paintings of child-morphed creatures, poppies and dismembered legs, based on collaged photos from my animation ‘Nothing ever happened’, to produce a commentary on loss.
Glimpse into the contemporary music scene of Kinshasa featuring Brigade Sarbati Orchestra.
A magical and nostalgic universe is revealed, where memories oscillate between reality and imaginary.
Out of their spartan lives, two humble, elderly Moscovites carve an imaginary world – a space of identity created in solitude. Following the social upheaval of Russia art becomes a lifeline for these seasoned cast-offs.
Footage of the Hampton Court Palace maze, established in 1689 and perhaps the most famous existing maze in the world, is contrasted with Anishinabe petroforms found in Manitoba’s Whiteshell area. The English, mannered, controlled hedges are designed to limit sight; the rocks of the Canadian Shield, arranged in patterns of turtles, snakes and humans, were created to inspire teaching and healing. Finnigan interrogates the wisdom of the colonizing versus the colonized culture.
Editing out the interviewer, "Controversies" presents a popular call in radio show with just the callers.
A visually lovely partial-sound homage to the silent film era, or a four-minute music video from a hundred-year-old film vault.
Artist Talk with Farrah Miranda & Evelyn Encalada Grez (With Audio Description)
Facing the Monsters Within
Thinking of home? In this installation/performance, Poruchnyk builds an outdoor set of a metal airplane hull and seating. This bilingual piece investigates communication, work and the motions of work as a dance.
"This film is available in French only. Use the Search or Explore site tools to select non-dialogue or English-language films and videos." Un jeune homme rend visite à sa mère pour lui présenter sa femme.
A lonely figure walks to a private screening room. What he is getting excited about is not what it may appear.
The body in the techno craze? The Defense Advanced Research Projects Agency? Biopiracy and indigeneity? Military Robotics? Trafficking of women over the internet? E-Waste? Autobiographical and contemporary, this interpretation of the delusions and illusions of the technocultural era delivers us Out, Into This World….
A video collage based on twenty-eight tracking shots of city scenes.
The Long Form Lesbian Census polls the Toronto lesbian community to find out important statistics.
What exactly is a sissy? Sissy explores masculinity, gender identity, misogyny and self-acceptance.
That formidable force of conservation officials, Lesbian National Parks and Services, presents three portraits of lesbian species in crisis. Not unlike the renowned 1970s Hinterlands Who's-Who series, these public service announcements point to the perils of habitat loss and poaching. The Marxist Feminist, the Lesbian Separatist and the Bull-Dykus Americanus are featured in this parody of nature education.
There are challenges one faces as a New Canadian.
The “Manholes” series takes a pan of a single male figure and fragments it into a grid of peepholes. The microscopic mapping of the body is intimate yet clinical. The cascading body parts create a kaleidoscope of changing skin tones. It is difficult to find the point of origin on the subject’s body, though occasionally signifiers make it possible; an eye, a nipple or the toes suddenly orient the viewer.
In “Milkman,” a seated male figure sits staring endlessly ahead, his gaze locked on the viewer. Milk is streaming from his nipple and into a glass that he holds in his left hand. The continuous flow of milk never seems to fill the glass. The sound of the flowing milk creates a human fountain out of this portrait.
Let the House of Venus take you on a freaky ride in a funhouse of the bizarre and horrific.
'Undone' explores the troubled language of the tactile body.
Is the word “Indian” a label for Canadian Aboriginals to reject or reclaim?
a Tribute to Missing and Murdered Indigenous Women and Girls (MMIWGs)
Numb, questions Kanata’s relationship with Indigenous peoples, allowing the viewer to contemplate the next 150 year relationship.
"The Way We Are" shares excerpts of stories from audio interviews with 4 queer Asian women living in Toronto: Katherine Chun, Wenda Li, Tamai Kobayashi, and Nancy Seto. Told in the present-tense, these stories are arranged in a way that explores the past as the present, and in doing so, immersing viewers into the real-lived experiences from a different generation.
Founder: Noun- a person who establishes an institution or settlement. Verb- (of a ship) fill with water and sink. (of a plan or undertaking) fail or break down.
A deeply intimate look at the frightening realities of food insecurity in First Nations communities.
A look at how the community of Lake St. Martin First Nation was destroyed and displaced by water management policy.
The artist ponders the possibilities of reconciliation.
She Draws a Circle reflects on the work of generations of women to interrupt cycles of violence and oppression, looking to the ways in which our spiritual connections to the land and one another help us to hold space for regenerative healing, bringing the hidden to light drawing on that light to encircle each successive generation.
Burning an Effigy considers intergenerational legacies of the Indian residential schools, the colonial presence, and its persistent impacts on community.
A woman transforms into Louis Riel in an exploration of Métis identity.
As they get ready for the day, three young Black women discuss the public perception of their Blackness in relation to their cultivation of a strong sense of self. Wash Day is an intimate exploration into how private, domestic acts such as washing your hair or putting on makeup become a significant re-acquaintance with the body, before and after navigating the politics of one's outwardly appearance.
Since the launch of the VUCAVU platform, we've collaborated with hundreds of artists, arts organizations and educators from across Canada to present bilingual curated and educational programming online. Artists always receive royalties and screening fees from these programs and they often include additional educational resources such as recordings of roundtable discussions and artist talks. After the paid or free programming period expires, available artworks can be rented individually.
We're delighted to launch A/CA's Educational Guide series; a project and research network dedicated to the activation and preservation of audiovisual archives created by Aboriginal peoples (First Nations, Métis, Inuit), Black communities and people of color, women, LGBT2Q+ and immigrant communities.
Discover our new VUCAVU.education postcards designed by Emil Woudenberg from Strike Design Studio, featuring a still from Caroline Blais’ film “Étoiles” (available for VOD on VUCAVU!). We’re pleased to pay Caroline for using their image and are dedicated to building VUCAVU in community with artists.