AVAILABLE FOR FREE STREAMING MARCH 15 - 29, 2023

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VUCAVU Presents:

PLACEMENTS + RUPTURES:
HOUSING INACTIONS

Curated by Alexandra Gelis and Madi Piller

The first program in the PLACEMENTS + RUPTURES series titled "Housing Inactions" intends to revive an "old-new" discourse to punctuate the everlasting social housing problem, reaching over 50 years from the early 1970s to the present. It brings into a new context the fragility of a system that demands the elaboration of complex policy-making to address the truthfulness of the precarity in all its seriousness.

Mixing long-form documentaries with short experimental films offer a bouquet of voices and practices of unexpected personal visions with unique closeness and intimacies. This program illustrates how Canadian filmmakers have invented ways to resist while confronting these issues over time.



 

Virtual Artist Talk: Jaime Black and Collectif HAT (Hyacinthe Raimbault, Angie Richard, et Tracey Richard)
Wednesday, March 22 2023
LIVESTREAM @ 6:30-7:30 PM EST (3:30PM PT / 5:30PM CT / 7:30PM AT) 
Moderated by: Alexandra Gelis and Madi Piller
ASK QUESTIONS during the livestream via this chat link:  https://vimeo.com/event/3144340/chat/interaction/

       

Join us for a virtual artist talk on March 22 hosted by "Placements + Ruptures" program curators Alexandra Gelis and Madi Piller in conversation with artists whose works are presented in this program: Jaime Black and Collectif HAT. The group of artists will discuss their artwork and themes of displacement, land, grief and healing.
be available for viewing free after that date.


PLACEMENTS + RUPTURES: HOUSING INACTIONS

Essay by Alexandra Gelis and Madi Piller


The precarity of living conditions has become a close possibility for most of us in this time of economic, political and social turmoil,  the uncertainty created by the effects of post-pandemic life and displacement caused by climate warming and wars.

This film program intends to revive an "old-new" discourse to punctuate the everlasting social housing problem, reaching over 50 years from the early 1970s to the present. It brings into a new context the fragility of a system which triggers heated arguments, elaborates what appears to be complex research and policy-making and still needs to address the truthfulness of the precarity in all its seriousness.

Too often, housing needs strategies are inadequate whether in the Canadian or global context. Arising into the equations are public vs private ownership questions, comprehensive policy programs research, preliminary plans, and private and public lands.

... address the truthfulness of the precarity in all its seriousness.

Still image from "When Land And Body Merge", Jaime Black and Lindsay Delaronde, 2020, 00h 08m 34s, Video Pool Media Arts Centre

 

The definition of housing affordability vs social housing has an elaborate economic distinction with programs proposed by officials, developers and consultants in the public and private systems. For adopted policies and programs to proceed to their desired objectives, it is necessary to hold policymakers to their word and to work assiduously with the people in need and with activists towards common housing goals.

Moreover, the urban environment "problem" worldwide is not just about housing. It is about the spaces we share and the richness of our understanding of each other as a social species, as humans with equal access to dignified living conditions, socially and ecologically.

The films presented in this program are a combination of five experimental fiilms short and feature, which relate to and complement each other at the crossroads of social housing for low-income people.

... as humans with equal access to dignified living conditions, both socially and ecologically.

Still image from "Castles On The Ground", Ananya Ohri, 2015, 00h 01m 00s, CFMDC 

 

The conversation is extended and must continue. We want to share with the audience access to these critical issues of societal living reflected in these films. In our research as curators, we encountered many films that we could not invite to the program due to time constraints. The mixing of long-form documentaries with short experimental films, these films offer a bouquet of voices and practices that present unexpected personal visions with unique closeness and intimacies. 

This additional short list of works illustrates how Canadian filmmakers have invented ways to resist while confronting these issues over time:

Mattress City(1997) by Kika Thorn
> Shelter (2001) by Roberto Ariganello
> Safe Park (2001)  by Rebecca Garret 46m 30s
> Slums: Cities of Tomorrow (2013) by Jean-Nicolas Orhon. 01h 22m 
> Erasure of communities (2016) by Monica Sehovic Forrester.  07m 27s
> My Gentrification (2020) by Marcos Arriaga. 29m 21s
> Facticity (2021) by Jorge Lozano. 03m 52s
> Me and my room (2021) by Nicole Tanguy 11m 15s
> Trajectoires by Jenny Cartwright. 20m 31s (loop)
 

- Essay co-written by Alexandra Gelis and Madi Piller


...these films offer a bouquet of voices and practices that present unexpected personal visions with unique closeness and intimacies. 

ABOUT THE ARTISTS FEATURED IN THE ARTIST TALK

JAIME BLACK


Jaime Black is a multidisciplinary artist of mixed Anishinaabe and European descent. Black’s art practice engages in themes of memory, identity, place and resistance and is grounded in an understanding of the body and the land as sources of cultural and spiritual knowledge.
>> https://www.jaimeblackartist.com/​ 
>> ON VUCAVU

COLLECTIF HAT 


HAT’s work originates from various subjects, and uses different media such as light, video, and sound, to create multimedia installations and experimental short films. In their cinematographic exploration and their artistic work, the artists never confine themselves to a specific genre. Using various techniques like time-lapse, animation, projection mapping, and field recording manipulation, their work is at the crossroads of digital and analogue worlds.
HAT is formed by three artists (Hyacinthe Raimbault, Angie Richard, Tracey Richard) with different backgrounds who share their skills to create art installations, experimental films, and VJ projections for live concerts. Since 2018, their work has been showcased at several festivals throughout the Maritimes (RE:FLUX, Inspire, Messtival, Third Shift, Area 506, Lumière, Nocturne) as well as nationally from coast to coast (Dawson City, Vancouver, Montréal...) and internationally in Louisiana and Paris.
>> www.collectifhat.ca/
 

ABOUT THE CURATORS

ALEXANDRA GELIS
Alexandra Gelis is a Colombian-Venezuelan artist, educator and researcher living between Canada, Panama and Colombia. Her practice is research-based, process-oriented and multi-disciplinary including film, photography, drawing, and media installation with custom-built interactive electronics and sound. Her projects incorporate personal field research as a tool to investigate the ecologies of various landscapes by examining the traces left by various socio-political interventions. From her plant-based research-creation: she explores, documents and re-creates ecologies that take shape between plants and people, and between plants and their multi-species interrelationships.  The idea of plants as political allies and as actors is central to her concept of "Migrated Plants". 

Gelis has exhibited in film festivals and exhibitions internationally in the Americas, Europe and Africa. The Walker Art Center; Oberhausen Short Film Festival; Bienal del Sur; Internationale Kurzfilmtage Winterthur; Images Festival Toronto; ArtworxTO. Toronto; Oboro, Montreal; Museum of London (CA); YYZ Gallery; Museo de Arte Contemporáneo de Montevideo;  Recoleta Cultural Center, Buenos Aires; LABOCINE; Kuala Lumpur Experimental Film; Alucine latin media festival; Vancouver Latin Film Festival; Dresdner schmalfilmtage; Pleasure Dome; Museo la Tertulia; Espacios Revelados / Changing Places; The Paseo Project New Mexico; and others.
She has given talks at Kassel and Documenta Institute, Germany; Laboratorio Arte Alameda, Mexico City; University of Zurich; and many arts and food sovereignty conferences.

Alexandra has been the recipient of numerous awards and fellowships. She has curated several shows across Canada and South America the last few years.
>> https://alexandragelis.com/ 
>> ON VUCAVU

MADI PILLER
Madi Piller is a filmmaker, animator, and independent curator currently living and working in Toronto, Canada. Born in Lima, Peru, she began shooting Super 8 while working as the director of production at the J. Walter Tompson ad agency in Colombia. When she moved to Canada in 1999, she became involved in the grassroots, not for profit artist-run centre scene. She has worked as a volunteer, over a decade, tirelessly creating programming, promoting the production, distribution, and exhibition of independent animated work. For that she received the Ontario Citizenship Volunteer award in 2015. She is a founding member and lead Artistic Director at PIX FILM Collective, a community advocate, helping to organize and inspire others to share conversations old and new multimedia innovations for which she created the PIX FILM in 2015 the Studio Immersion Program, supporting more than 30 artists to date. Madi has also a supportive role in the production of an animated LGTBQ docu- web-series How to Get a Girl Pregnant.

Her Curatorial projects include: Eleven in Motion: Abstract Expressions in Animation (2009), Hello Amiga (2012), OP ART Re-Imaged: Imaginable Spaces (2014), and The Frame is the Keyframe: Frame Anomalies (2016). From A to Z in Vienna (2018), My Home Here in Peru (2019),  View/Regard – PIX FILM Window screening and Augmented Reality Postcards (2020), Augmented Reality MOVEMENT: Toronto<>Vienna (2021). Art et Imaginaire Toronto<> Vienne (2022), Site Unseen: Augmented Reality by Latinx Artists (2022).
>> https://www.madipiller.com/
>> https://www.pixfilm.ca/
>> ON VUCAVU


This programming series is presented by VUCAVU.

VUCAVU acknowledges the generous support of the Canada Council for the Arts.