Scarborough Bluffs (1974): a woman walks away from us, through a field of grass. Approaching a treeline, she turns and crosses the frame. Instead of panning to accommodate her, the camera zooms wider – the woman continues to diminish as if still walking away and the landscape is fully revealed.
The shot partially repeats: a wipe transition replaces the grass with water, and a ‘shipscape’ from Toronto’s Port Lands (2011) is revealed. Poetically, light reflected from downtown office towers catches the sail of a boat crossing the frame. Then amusingly, a split-screen sequence underlines the correspondence between woman and sailboat.