AVAILABLE FOR FREE STREAMING JULY 1 - 24, 2021

 

 RPL Film Theatre Presents:

S.P.A.N.E 2021

Curated by Johannes Zits

 


Live Panel Discussion with Johannes Zits and Sharon Alward


Watch the recording from Tuesday, July 6, 2021 (7PM-8PM CST) below:



 

S.P.A.N.E 2021: WATER



The videos in S.P.A.N.E. 2021: WATER focus on performances and actions that engage with water in provocative, thoughtful and surprising ways. As we move into the heat of the summer, we become more aware of how essential and fundamental water is for all life. Composed of only hydrogen and oxygen, it exists in myriad of forms, from the liquid the sustains all creatures and plants, to ice, snow, rain, and vapours that we feel on a humid day. A large percentage of our body is made up of water and every living cell needs it to keep functioning. Watching and listening to what the water has to say to us; observing its life force, is a way of honouring and respecting this most fundamental of elements.  

- Johannes Zits

 

As we move into the heat of the summer, we become more aware of how essential and fundamental water is for all life.
Man lying naked in a bathing suit on a sandy beach

Still image from In Tow (2019), Robert Kingsbury

 

Working in nature, interacting with it or just being there can be inspiring. These activities may also spark one’s imagination and create the potential for performances. Capturing these performances opens the possibility for its ephemerality to be revisited and shared. S.P.A.N.E. (Screening of Performance Art in the Natural Environment) was originally conceived ten years ago as a platform for collectively viewing and discussing videos of performances. S.P.A.N.E. 2021, is curated by artist/curator Johannes Zits, whose own practice shares an affinity with cultures in which humanity is seen as continuous with nature.

Zits will present a selection of diverse works where the performers are interacting within a natural setting. Each of the videos presented at SPANE 2021 will reference one of the four basic elements: WATER, AIR, LAND and FIRE. Each artist has a distinct relationship with the other-than-human element they are engaged with and in some way it’s sentience is considered consciously or unconsciously. In each of these videos, nature is more than a background or passive element and forms an integral part of the “narrative”. 
 

Capturing these performances opens the possibility for its ephemerality to be revisited and shared.
Person lying naked on a platform in the middle of water

Still image from Solitude (2020), Daina Asbee
 


ABOUT THE CURATOR


Johannes Zits

Toronto based artist Johannes Zits’ multi-disciplinary practice focuses on the many meanings engendered by a body, both human and non-human and extending the notion of the performer to include nature itself. Since graduating from York University in 1984, Zits has presented work across Canada and internationally, including performances for the 8th Encuentro, Sao Paulo, Brazil (2013); Le festival international du film sur l’art, Montreal(2013); and performance variations on the “Island”: M:ST Festival, Calgary; Yuz Museum, Shanghai; Meta, Chongqing, China; and Havana, Cuba (2014-16). From 2011 to 2014 he facilitated an Intensive Performance Art Workshop at Artscape Gibraltar Point as well as curated the first editions of S.P.A.N.E., Screening of Performance Art in the Natural Environment. He was part of a curatorial team for Duration And Dialogue (2015 -17). In 2019 the Copenhagen Contemporary Museum commissioned Zits to realize a score for their permanent collection. In 2020 he performed at the International Biennial of Asuncion, Paraguay. He was the 2020 artist-in-residence at Western University’s McIntosh Gallery, London, Ontario, where he presented the exhibition Listening To Trees and realized the 20-minute video, Checking In On An Old Copper Beech.
 

This program is presented by the Regina Public Libray Film Theatre

RPL Film Theatre thanks the following organizations for their support in this programming:

     

This curated program is part of the VUCAVU Expanded project.
We acknowledge the support of the Canada Council for the Arts.​