A multilayered video installation by Emilio Rojas critiques the construct of the stereotypical Canadian male, translated into white, heterosexual, and hyper-masculine. The video portrays the contradictions that these buoyant instances of nationalism offer and the branding of nationalism present during the Olympics. Capturing an unrepeatable moment in Canadian history where two of the most homophobic spheres; nationalism and sports, ironically come together through homoerotic imagery and the fragmentation of the boundaries of Canadian politeness. Going far beyond a simple documentation of a performance the piece invites the viewer to reflect upon the futility of banal nationalism in this post-Olympic moment.