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A computer gilded tribute to the family farm in Southern Ontario. Emboldened by urban irony and rural machinery, tractors fly and Vancouver’s skyscrapers and mountains grow out of the fields. However, country music locates the landscape at the emotional centre. As Christine Tamblyn asserts in Afterimage, “Elizabeth Vander Zaag's funky computer graphics blur the threshold between representation and abstraction, parodying television’s project of constructing a diffused public identity.”