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VUCAVU works on a video-on-demand (VOD) basis. To rent a film or video, browse the catalogue, view details for individual films and videos, and click RENT when you find something to watch.
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A group of Vietnamese nationals is making their way to an unknown location in a shipping container to find a better life.
Riverside Queerness reveals hard moments in the Prairies' shadowed queer history. Three storytellers navigate muddy waters that is Manitoba's subconsciousness; where truth is blurred by the power of the currents.
A group of amateur astronomers and eclipse-chasers prepare to view a total eclipse.
I lost my mind from working at a government call centre. This is my story.
Clash of cultures, care of the elderly and four women trying to make sense of their unravelling family, this is Mum Singh.
Short descriptionThe conflict between Armenia and Azerbaijan as seen through the eyes of the inhabitants of the Caucasus.
An intimate portrayal of the closed-off Russian city of Norilsk through the eyes of its youth, mine workers and truth seekers.
Çås¢a∂ing €®r0r Win∂0ws is a project about love, death, connection, the future, and the afterlife. It is an exploration of artificial intelligence, human consciousness, and embodiment that troubles deeply held convictions about what it means to be alive, to be a person, and to be in conversation with another.
Night Circled was made by recording video from online surveillance cameras.
An optimistic Filipina woman who has just immigrated to Canada is excited to try an apple for the first time. Similar to her experiences as a new immigrant, the apple isn't what she expected.
Captured over five years in 18 communities, INDIAN TIME paints a personal, up-to-date portrait of 11 of Quebec's Indigenous peoples. With some forty people speaking in turn, INDIAN TIME makes for exceptional encounters and immerses viewers in "Indian time" with their eyes and hearts.
Border mechanisms that act on migrants are many. Moving from shelter to shelter and hopping on trains, they head up north across Mexico to reach the United States and Canada. During the U.S election, migrants are more than aware that it could be their last chance to cross the border. Following their trajectory, Destierros draws a path of reclusion. A path where time remains the longest road between two places.
"Those That Will Come, Will Hear" constructs a portrait of the erosion of languages; a global phenomenon that is still largely unexplored. This exploratory film will be a way to discover the essence of First Nations and Inuit languages still spoken in Quebec via the richness of their unique sounds and the rendering of this inherent musicality into visual imagery.
An examination of how art and truth come into conflict at the trial of a young man accused of rape.
An austere film with touches of offbeat humour
A woman paints with her vagina to please the art hungry masses that crowd her gallery and her life.
A woman deals with the death of her mother through self-annihilating tendencies.
Métis, Métis Not is a video documentation of the filmmaker’s lack of relationship with her cultural background
Did you know that many First Nations schools get less money than provincial schools? Shannen Koostachin, a young leader from Attawapiskat First Nation, knew this was wrong, and so does Spirit Bear.
The film depicts a society controlled by an autonomous system.
Since launching our platform in 2017, we have collaborated with curators and programmers from across the country to present film and video programs available for free streaming for a limited time. Each program includes a critical curatorial essay that explores the overarching themes and selections. After the free viewing period has expired, we encourage the public to read the essays and rent the works individually.
A home movie of Cree woman hunting is saved from being lost forever, but how does it compare to official Canadian history of northern Manitoba?
The fall in its simplest manifestation : the movement unfolds ; the words fall with cool indifference. Dream, incantation, rite of passage.» Nicole Gingras
Video collage, documenting a week spent in Chicago.
“Perdere: to lose, to waste, to destroy” explores the rapidly deteriorating landscapes surrounding Tuktoyaktuk, NT along Canada’s northwest coast. Through contemplative drone footage and a soundscape using hydrophone and natural soundscape recordings, this work bears witness to the tragic effects of climate change along the shores of the Beaufort Sea.
“Louise Bourque’s ‘Imprint’ focuses obsessively on home-movie images of her family’s house, which seems gloomily oppressive, almost filling the frame; she repeats the images with various alterations - tinted, bleached, partly scraped away - as if attacking the place, turning its darkness into light.” - Fred Camper, The Reader, Chicago, April 16 1999
We have killed with a geometry that is not our own.
Experiment in Landscape, No.2 was made by filming a view of Bow Lake through the ground glass of an 8”x10” large format camera. The element of humour and awkwardness within my actions were intended to disrupt the master narrative of the long tradition of large-format photography capturing the apparent ‘untouched’ beauty of the North American West, while the moment of equilibrium within the headstand speaks to my desire to be consonant with this environment.
It was about 10 minutes to five o'clock when it descended upon the city.
STILLE.D is a meditation on Walter Benjamin's concepts of ruin (as nostalgia, regret, decay, loss), as well as the paradox of the bourgeois interior constituting both refuge and amplification of the alienating impulses of the city. It plays with the different definitions of “stille” such as stillness, to put (in place), a drop (of liquid), finding a corollary with Stephen Chen's musical setting of Philip Larkin's poem.
This video is a paradoxical exploration of the glacial environment during a walk, between purity and pollution.
Footage shot in Coba, Mexico and the Siwa Oasis in Egypt and a found film from California serve as inspiration for a series of sketches on the notion of the vanishing point. Commissioned for LIFT's 30th Anniversary Celebration.
Coming Closer/Standing Back uses a female figure walking on a beach in winter and a personal story to present feelings of personal and the impersonal.
Artist Portrait of 2015 Governor General Award recipient, Reva Stone.
Imaginary love is better than real loneliness.
This film is available in French only. Use the "Search" or "Explore " site tools to select non-dialogue or English-language films and videos. «Mata Hari / Strip-tease Paris / L'histoire des femmes / Scandale, scandale.» S'appuyant sur une chanson de Louise Portal, ce court métrage musical illustre quelques aspects de l'histoire des femmes en intégrant fiction, archives et effets visuels.
Daring to follow one’s desires, create, initiate, engage with life, choose oneself… These are the gifts of maturity.
The real encloses the remembered. A poetic look at the distorting / defining effect of memory.
What would a feminist superhero look like? Could she leap tall buildings in a single bound? Could she bend steel with her bare hands? What would her name be? And would anyone remember it? Commissioned by MAWA's Art Building Community Symposium, performance artists Shawna Dempsey and Lorri Millan have created an aging superhero with unusual powers. Watch as she wrestles the notion of "super" to the ground! In light of reality TV and celebrity culture, where everyone who wants to be a superstar ca
The 1990 Oka crisis from the perception of a child and performed by the survivors, 25 years later.
In a relationship, two women decide that the white partner will carry her partner’s Indigenous child
"Contrary to popular belief, the majority of rapes are not committed in dark alleys by raving lunatics, but rather in familiar surroundings, often by men we know.
In this work the artist brings together the concept of skin and rice to address gender issues and performance in an Asian context.
The Presider
Open Water is an immersive short documentary film about a 61-year-old woman's attempt to swim across the largest freshwater lake in the world.
A short film essay analyzing a landscape shaped by religion, capital, and war. The film blurs the line between memory and history, only to reveal their cyclicity.
Within a few months, the Kutupalong refugee camp has become the biggest in the world, home to 700 000 Rohingya exiles fighting for their survival.
Shot improvisationally in 2010, shortly after the end of the Sri Lankan civil war, this film takes a lyrical approach to examining recent history and the process of reconstruction in the post-war era.
Chilean refugee Daniela (Carmen Aguirre) wants to travel back to Chile to learn more about her family as her father is reluctant to talk about his past. But she is about find out much more than she expected.
A true story of hope, ethnic cleansing and letting go.
The little-known editor of the epic opus Shoah, Ziva Postec delves into her memories, where personal recollection mingles with the shards of History. For the first time, she tells her story, bringing previously unseen footage to the screen.
SURGES is an online ecosystem of seven virtual environments presented by IOTA Institute in partnership with VUCAVU. This project invites artists to design online exhibition spaces with technical support, to create experiences for audiences beyond linear visual aesthetics. Artworks explore vibrational haptics, interactive instruments, 360 video, and augmented reality to create multisensory online experiences and encounters.