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How does it work?
VUCAVU works on a video-on-demand (VOD) basis. To rent a film or video, browse the catalogue, view details for individual films and videos, and click RENT when you find something to watch.
What is MY LIST?
You can create a customized list of films and videos to watch later. To add to your list, browse the catalogue and select the +MY LIST button.
VUCAVU.education is a streaming platform that gives educators and students access to a curated selection of independent Canadian film and video art spanning more than 50 years. The shared catalogue includes documentary, fiction, experimental, and animation titles from artists across Canada, offering many unique views into the country’s cultural landscape.
VUCAVU.education is an initiative of the VUCAVU.com platform.
Fanny meets her high school friends for the annual Switch & Bitch Party.
A young songwriter seeks out her folk idol in a sleepy lakeside village, only to become enmeshed in a secretive society whose rituals safeguard the threshold between worlds.
This is video compilation is part of the educational guide produced as part of Archive/Counter-Archive’s (A/CA) Case Study, Through Feminist Lenses: Video Works at Groupe Intervention Vidéo with Groupe Intervention Vidéo.
Follow along with Spirit Bear as he realizes the importance of learning history to make better decisions now and for future generations of kids and cubs.
A look at the community response to the murder of Nirmal Singh Gill, a caretaker at the Guru Nanak Gurudwara in Surrey BC by 5 white supremacist skinheads in 1998.
This playful, poignant & memorable short shadow play, where humans take from forests whatever they desire - leaving nothing. A collaborative film by a Canadian filmmaker and a Japanese visual artist.
Digital video documentation of The images, such as they are, do have an effect on us: PORN Dossier. The envelope and folders are opened and the contents examined.
Two sisters attempt to find common understanding amidst bickering.
A shortened version of the synopsis that must be less than 500 characters in length. This teaser appears in a pop up when a user hovers their cursor on a title image in our search or other pages.
As he is making a didgeridoo, Bernard Bosa tells us what vibration is for him, what it has done in his life.
Chilean refugee Daniela (Carmen Aguirre) wants to travel back to Chile to learn more about her family as her father is reluctant to talk about his past. But she is about find out much more than she expected.
Amidst a biodiverse wasteland on the brink of being enveloped by encroaching bitumen, the enigmatic Beast of the Earth materializes in a prophetic dance.
"C'est à qui, cette ville?" is a response to the 1984 film, “Ville, Quelle Ville?” This original super 8 film documented various places in Toronto’s east end and reflected upon a young woman’s life in the city.
Spirit Bear's friends teach him about residential schools and how he can help with reconciliation!
Clash of cultures, care of the elderly and four women trying to make sense of their unravelling family, this is Mum Singh.
A presentation for filmmakers and artists with VUCAVU.com’s Digital Programming Intern, Stephanie Poruchnyk-Butler.
A female firefighter takes her daughter along for a day on the job.
Did you know that many First Nations schools get less money than provincial schools? Shannen Koostachin, a young leader from Attawapiskat First Nation, knew this was wrong, and so does Spirit Bear.
VHS video documentation of The images, such as they are, do have an effect on us: CENSORSHIP dossier. The envelope and folders are opened and the contents examined.
A meditation experience to unlock and reconcile with one's past in an effort to imagine a future actualized self.
YOU ME HIV AIDS RESPONSIBILITY REALITY a public service announcement for HIV/AIDS awareness. we will walk the land, breathe the air and drink from the stream. i came across the living tree, branches flowing in the breeze its roots adhering to mother earth YOU ME HIV AIDS RESPONSIBILITY REALITY
A woman reconnects with her grandmother's past through drawings done by Daphne Odjig
A young trans man notices himself, becomes transfixed with his image and starts flirting leading up to a tentative, yet hot kiss.
A boreal forest, in the fall. A man wearing a face mask is on the watch. Camouflaged in the bush, he holds his gun at the ready. Is he a serial killer or just a trophy hunter? He’s neither. He’s an artist waiting for an animal and that elusive moment when the image for a work will come to him.
The surveillance video depicts the omnipresence of internalized social norms restricting the lives of many women living under the gaze of the rigid traditions.
Les Fermières Obsédées give themselves over body and soul to this viva voce dissertation that expresses their aims as it points up the power struggles underpinning current political and economic issues.
They Met In A Garden is an exploration and analysis of the archetypal romantic love story.
Galvanized by the opportunity promised by the looming North American Free Trade Agreement (NAFTA), a shy and idealistic Winnipeg artist seeks fame and fortune in the USA. Heading for the international border on the notorious "Night Bus to Fargo", she meets a host of hinterland hopefuls also making a break for the great cultural supermarket south of the 49th.
Comprising five hundred images McFadden assembled to investigate the nature of homosocial and queer male relationships, A Separate Peace includes the reading of an eponymous essay the artist wrote in response to this collection and the end of his longterm relationship.
A charming portrait of Winnipeg filmmaker Curtis Wiebe who creates puppets and props for all of his films.
The fear of bridges.
Set in a bar in 1960, two women share a look that launches a fantasy encounter. An homage to the women who had the courage to explore their sexuality in the mid 20th century, and a lament for those who could not. Set to the song, “Oh Regret” by singer/songwriter Mary Lorson.
Two imperfect women share one perfect body.
Cupid gets beaten at his own game.
This black and white short salutes the women who helped define the concepts of glamour.
Spiritual sanctuary, sex, sisterhood and a gathering of faeries.
‘Video Home System’ traces the convergence of popular culture and politics in Pakistan during the 1980s and 1990s. This video showcases the connections between pop culture and nationalism, and how bootleg economies kept the cinema industry alive during periods of censorship.
The “Manholes” series takes a pan of a single male figure and fragments it into a grid of peepholes. The microscopic mapping of the body is intimate yet clinical. The cascading body parts create a kaleidoscope of changing skin tones. It is difficult to find the point of origin on the subject’s body, though occasionally signifiers make it possible; an eye, a nipple or the toes suddenly orient the viewer.
Playing with sexuality and erotic imagery, this short looks at taboos and different ideas of what’s hot.
Aliens have landed. Colonization? Again?!
The boy and the puppy are innocent one moment, and experienced the next (sexually). The line between outward innocence and inner corruption begins to dissolve, revealing a beautiful rot and decay. This video is essentially a running parallel with the proverbial Garden of Eden.
In February, 1998, the artist traveled back to Hong Kong to revisit his elementary school, La Salle Primary. Time has changed but there are still the same Chinese Catholic boys in school uniforms.
Nine women from Montreal reveal themselves to the camera. They are lesbian, bisexual and two-spirited. They come from Malaysia, Tunisia, Lebanon, Guinea and Ghana. Some are First Nations women. They reveal their sometimes painful, sometimes effortless passages leading to the acceptance of their sexual orientations...
A group of Vietnamese nationals is making their way to an unknown location in a shipping container to find a better life.
A woman transforms into Louis Riel in an exploration of Métis identity.
This intricate stop-motion animation interlaces Canada’s colonial past with writer-director Amanda Strong’s personal family history — and illuminates Cree, Métis, and Anishinaabe reclamation of culture, language, and Nationhood. (Danis Goulet, TIFF)
September 2013. The Court ruling is reached. Almost a quarter million Dominicans of Haitian descent have just become stateless because of the Dominican Constitutional Tribunal’s decision.
She Draws a Circle reflects on the work of generations of women to interrupt cycles of violence and oppression, looking to the ways in which our spiritual connections to the land and one another help us to hold space for regenerative healing, bringing the hidden to light drawing on that light to encircle each successive generation.
A home movie of Cree woman hunting is saved from being lost forever, but how does it compare to official Canadian history of northern Manitoba?
A spoken word poem and minimalist audio track about a sexy highland stream, a love letter to the beauty found in nature, and the mysterious way beauty is suffused in the natural world, written in English and Anishinaabemowin.
High Altitude explores what it means to be an Indigenous artist in the modern world.
This video interrogates how subjectivities, political stances, and modes of social engagement formed elsewhere contribute to our positioning within the local, cultural landscape of Vancouver.
"The Way We Are" shares excerpts of stories from audio interviews with 4 queer Asian women living in Toronto: Katherine Chun, Wenda Li, Tamai Kobayashi, and Nancy Seto. Told in the present-tense, these stories are arranged in a way that explores the past as the present, and in doing so, immersing viewers into the real-lived experiences from a different generation.
Since the launch of the VUCAVU platform, we've collaborated with hundreds of artists, arts organizations and educators from across Canada to present bilingual curated and educational programming online. Artists always receive royalties and screening fees from these programs and they often include additional educational resources such as recordings of roundtable discussions and artist talks. After the paid or free programming period expires, available artworks can be rented individually.
We're delighted to launch A/CA's Educational Guide series; a project and research network dedicated to the activation and preservation of audiovisual archives created by Aboriginal peoples (First Nations, Métis, Inuit), Black communities and people of color, women, LGBT2Q+ and immigrant communities.
Discover our new VUCAVU.education postcards designed by Emil Woudenberg from Strike Design Studio, featuring a still from Caroline Blais’ film “Étoiles” (available for VOD on VUCAVU!). We’re pleased to pay Caroline for using their image and are dedicated to building VUCAVU in community with artists.