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VUCAVU works on a video-on-demand (VOD) basis. To rent a film or video, browse the catalogue, view details for individual films and videos, and click RENT when you find something to watch.
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A group of Vietnamese nationals is making their way to an unknown location in a shipping container to find a better life.
Riverside Queerness reveals hard moments in the Prairies' shadowed queer history. Three storytellers navigate muddy waters that is Manitoba's subconsciousness; where truth is blurred by the power of the currents.
A group of amateur astronomers and eclipse-chasers prepare to view a total eclipse.
I lost my mind from working at a government call centre. This is my story.
Clash of cultures, care of the elderly and four women trying to make sense of their unravelling family, this is Mum Singh.
Short descriptionThe conflict between Armenia and Azerbaijan as seen through the eyes of the inhabitants of the Caucasus.
An intimate portrayal of the closed-off Russian city of Norilsk through the eyes of its youth, mine workers and truth seekers.
Çås¢a∂ing €®r0r Win∂0ws is a project about love, death, connection, the future, and the afterlife. It is an exploration of artificial intelligence, human consciousness, and embodiment that troubles deeply held convictions about what it means to be alive, to be a person, and to be in conversation with another.
Night Circled was made by recording video from online surveillance cameras.
An optimistic Filipina woman who has just immigrated to Canada is excited to try an apple for the first time. Similar to her experiences as a new immigrant, the apple isn't what she expected.
Captured over five years in 18 communities, INDIAN TIME paints a personal, up-to-date portrait of 11 of Quebec's Indigenous peoples. With some forty people speaking in turn, INDIAN TIME makes for exceptional encounters and immerses viewers in "Indian time" with their eyes and hearts.
Border mechanisms that act on migrants are many. Moving from shelter to shelter and hopping on trains, they head up north across Mexico to reach the United States and Canada. During the U.S election, migrants are more than aware that it could be their last chance to cross the border. Following their trajectory, Destierros draws a path of reclusion. A path where time remains the longest road between two places.
"Those That Will Come, Will Hear" constructs a portrait of the erosion of languages; a global phenomenon that is still largely unexplored. This exploratory film will be a way to discover the essence of First Nations and Inuit languages still spoken in Quebec via the richness of their unique sounds and the rendering of this inherent musicality into visual imagery.
An examination of how art and truth come into conflict at the trial of a young man accused of rape.
An austere film with touches of offbeat humour
A woman paints with her vagina to please the art hungry masses that crowd her gallery and her life.
A woman deals with the death of her mother through self-annihilating tendencies.
Métis, Métis Not is a video documentation of the filmmaker’s lack of relationship with her cultural background
Did you know that many First Nations schools get less money than provincial schools? Shannen Koostachin, a young leader from Attawapiskat First Nation, knew this was wrong, and so does Spirit Bear.
Abstract Horror is part documentary, part speculation about the new forms of religion and spirituality mediated by new technologies.
Since launching our platform in 2017, we have collaborated with curators and programmers from across the country to present film and video programs available for free streaming for a limited time. Each program includes a critical curatorial essay that explores the overarching themes and selections. After the free viewing period has expired, we encourage the public to read the essays and rent the works individually.
A team of beleaguered hockey players and a hybrid prizzly bear interact one bitterly cold night in the depths of winter in a desolate northern settlement.
An examination of three weeds - dandelion, coltsfoot, and goldenrod and each weed’s direct effects on film stock via hand-processing with eco-processing techniques.
A spoken word poem and minimalist audio track about a sexy highland stream, a love letter to the beauty found in nature, and the mysterious way beauty is suffused in the natural world, written in English and Anishinaabemowin.
A reflection on distance, grief and memory, through the landscapes...
Why would anyone want to go to the beach during the day?
Three years living in Sunset Park, living between the BQE and the Greenwood Cemetery, accumulating footage of junkyard cats, Park Slope strollers, burned out cars, flying birds.
Every breath I take, I can thank a tree. My life is a gift of the global forest.
When Marc Roger, a public reader, sets himself the challenge of walking from Saint-Malo, France, to Bamako, Mali, along with a donkey laden with books to be read aloud, filmmaker Catherine Hébert (The Other Side of the Country) joins him in Morocco, her camera rolling."
Experiment in Landscape, No.2 was made by filming a view of Bow Lake through the ground glass of an 8”x10” large format camera. The element of humour and awkwardness within my actions were intended to disrupt the master narrative of the long tradition of large-format photography capturing the apparent ‘untouched’ beauty of the North American West, while the moment of equilibrium within the headstand speaks to my desire to be consonant with this environment.
In the heart of a deep forest runs a river. On its banks, men and women sit and talk, opening up to each other.
Early in the 20th century the horse was supplanted by a new means of power.
“Louise Bourque’s ‘Imprint’ focuses obsessively on home-movie images of her family’s house, which seems gloomily oppressive, almost filling the frame; she repeats the images with various alterations - tinted, bleached, partly scraped away - as if attacking the place, turning its darkness into light.” - Fred Camper, The Reader, Chicago, April 16 1999
In "Grandma Smokes for Jesus’ Love", Erika MacPherson is engaged in a dialogue with the stories of her grandma.
Women’s Hands is a video about honouring the contributions of women in not only India, but around the world.
The camera scans a woman’s body in microscopic detail. A voice-over asks such questions as, “what is the dividing line between the public and the private?”.
The act of creating work is often seen as magical and sacred. The realities of diving into the process are anything but.
A tarot card reader gives off-putting advice to a lovelorn gal about how to keep a man.
This film is available in French only.
In a relationship, two women decide that the white partner will carry her partner’s Indigenous child
Enchanted Karaoke provides magical intervention options for the contemporary urban environment.
Nine women from Montreal reveal themselves to the camera. They are lesbian, bisexual and two-spirited. They come from Malaysia, Tunisia, Lebanon, Guinea and Ghana. Some are First Nations women. They reveal their sometimes painful, sometimes effortless passages leading to the acceptance of their sexual orientations...
A girl with the power to heal conducts a ceremony that attracts a shapeshifter
Set to music by Little Hawk, this animated and starkly honest story is a daughter’s tribute to her estranged mother.
a Tribute to Missing and Murdered Indigenous Women and Girls (MMIWGs)
A true story of hope, ethnic cleansing and letting go.
Within a few months, the Kutupalong refugee camp has become the biggest in the world, home to 700 000 Rohingya exiles fighting for their survival.
Shot improvisationally in 2010, shortly after the end of the Sri Lankan civil war, this film takes a lyrical approach to examining recent history and the process of reconstruction in the post-war era.
The little-known editor of the epic opus Shoah, Ziva Postec delves into her memories, where personal recollection mingles with the shards of History. For the first time, she tells her story, bringing previously unseen footage to the screen.
A short film essay analyzing a landscape shaped by religion, capital, and war. The film blurs the line between memory and history, only to reveal their cyclicity.
Chilean refugee Daniela (Carmen Aguirre) wants to travel back to Chile to learn more about her family as her father is reluctant to talk about his past. But she is about find out much more than she expected.
The film depicts a society controlled by an autonomous system.
SURGES is an online ecosystem of seven virtual environments presented by IOTA Institute in partnership with VUCAVU. This project invites artists to design online exhibition spaces with technical support, to create experiences for audiences beyond linear visual aesthetics. Artworks explore vibrational haptics, interactive instruments, 360 video, and augmented reality to create multisensory online experiences and encounters.