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We are proud to announce the launch of Desire Lines: Experimental Video as Social and Spatial Interventions in the GIV Collection. This bilingual educational guide was produced as part of the Through Feminist Lenses: Video Works at Groupe Intervention Vidéo Case Study, and is a collaboration between A/CA, Groupe Intervention Video (GIV), the Moving Image Research Lab (MIRL) at McGill, and VUCAVU. .
In recognition of May 5th' National Day of Awareness for Missing and Murdered Indigenous Women, Girls and 2SLGBTQIA+ People, VUCAVU invites you to revisit the works from a curated program we did with NIMAC in 2023 called "Red Dress Day". The program features the following four videos by Indigenous women that explore the ideas of ceremony, hope, frustration, relationship to the land, and spirituality by Jaime Black, Kristin Snowbird, Katherine Boyer and Dana Claxton.
VUCAVU is delighted to launch three new programs in the Educational Guide series from Archive/Counter-Archive (A/CA); a project and research network dedicated to the activation and preservation of audiovisual archives created by Aboriginal peoples (First Nations, Métis, Inuit), Black communities and people of color, women, LGBT2Q+ and immigrant communities.
Fanny meets her high school friends for the annual Switch & Bitch Party.
This is video compilation is part of the educational guide produced as part of Archive/Counter-Archive’s (A/CA) Case Study, Through Feminist Lenses: Video Works at Groupe Intervention Vidéo with Groupe Intervention Vidéo.
A look at the community response to the murder of Nirmal Singh Gill, a caretaker at the Guru Nanak Gurudwara in Surrey BC by 5 white supremacist skinheads in 1998.
Filmed sporadically and intuitively during the summer months of 2020 and 2021, Homunculi is a recontextualization of a personal archive of hand processed 16mm “home movies” and various cinematographic experiments.
VHS video documentation of The images, such as they are, do have an effect on us: CENSORSHIP dossier. The envelope and folders are opened and the contents examined.
Digital video documentation of The images, such as they are, do have an effect on us: PORN Dossier. The envelope and folders are opened and the contents examined.
A young loner struggles to make connection at a haunted summer camp.
Spirit Bear's friends teach him about residential schools and how he can help with reconciliation!
As he is making a didgeridoo, Bernard Bosa tells us what vibration is for him, what it has done in his life.
Chilean refugee Daniela (Carmen Aguirre) wants to travel back to Chile to learn more about her family as her father is reluctant to talk about his past. But she is about find out much more than she expected.
"C'est à qui, cette ville?" is a response to the 1984 film, “Ville, Quelle Ville?” This original super 8 film documented various places in Toronto’s east end and reflected upon a young woman’s life in the city.
While narrating letters written to her ex, a woman attempts to cast away the lingering shadows of the relationship and overcome feelings of rejection and failure.
Two sisters attempt to find common understanding amidst bickering.
VHS video documentation of The images, such as they are, do have an effect on us: PORN Dossier. The envelope and folders are opened and the contents examined.
Clash of cultures, care of the elderly and four women trying to make sense of their unravelling family, this is Mum Singh.
A presentation for filmmakers and artists with VUCAVU.com’s Digital Programming Intern, Stephanie Poruchnyk-Butler.
Did you know that many First Nations schools get less money than provincial schools? Shannen Koostachin, a young leader from Attawapiskat First Nation, knew this was wrong, and so does Spirit Bear.
A shortened version of the synopsis that must be less than 500 characters in length. This teaser appears in a pop up when a user hovers their cursor on a title image in our search or other pages.
Can’t Help Falling in Love with You follows Laura Ohio documenting Los Angeles through the dual lens of artist and sex worker. The film reveals the production of emotional experiences and the radical intimacy in which “artists and prostitutes are compelled to connect with complete strangers: a public. They share themselves with everyone but no one in particular” (Baudelaire).
Since launching our platform in 2017, VUCAVU has collaborated with several curators and arts organizations from across Canada to present film and media art programs. Each program includes a text exploring the themes addressed, and many also include recordings of roundtable discussions and artist talks for you to discover!
Do you like your body?
Alice is in a race against time to get basic human rights for her son Kevin, who has Cerebral Palsy.
"How to re-awaken the contemplative eye? to falter and be still. When my mother died, my mouth contracted and pressed its seed into my throat. i surrendered and resisted.
Imagine a place smaller in size than Quebec, along the shores of the Mediterranean, where more than 19 religious communities live together. Imagine that some people, in spite of a tormented history, have found the strength and the wisdom not to yield to sectarianism.
On a cold fall evening, Leila is left alone to tend the family convenience store. A series of strange clients keep her in a constant state of apprehension. Language and cultural barriers also contribute to the making of a nerve-racking evening.
Terra Velha is a visual and sonic study of disparate landscapes within the islands of the Azores
This video, comprised solely of one edit, is a quick peek into the reality of two video makers; video production, sex and poverty. The chatter of these lovers is the day-to-day experience of love, love as sustainable companionship. This is an average moment, perhaps one of the forgettable conversations that comprise and define our lives. Here is a man and a woman sitting on the front step on a summer evening. The Front Step is a collaboration between Brenna George and Rick Fisher.
Dedicated to the artist’s father, this experimental tape begins sorting through identities contaminated by the generalized racism of white society and its degrading commercial exploitation of Native culture, i.e., “Indian” drums and doll souvenirs. Five young natives search for reconnection to their families, their stories, traditions and their role within community.
"Beneath the Earth" marks the first in a series of works investigating the language of dreams and the cycles of life. Following the birth of her daughter, the artist addresses her fears and anxiety as a parent with a new found sense of mortality.
When Marc Roger, a public reader, sets himself the challenge of walking from Saint-Malo, France, to Bamako, Mali, along with a donkey laden with books to be read aloud, filmmaker Catherine Hébert (The Other Side of the Country) joins him in Morocco, her camera rolling."
Can a rock band be the village that raises a child? We follow internationally acclaimed Montreal band Thee Silver Mt. Zion Memorial Orchestra, which has accepted a baby into its touring tribe.
Be seduced by the sistas of the House of Venus as they take on the roles of all kinds of female beauties.
An experimental documentary that abstracts the roads I travel on a daily basis.
Everyone sees. No one tells.
A portrait of visual artist Rebecca Belmore.
A girl with the power to heal conducts a ceremony that attracts a shapeshifter.
Dude? Dude.
Transformed into a salmon, an Indigenous street artist travels through decayed urban landscapes to the forests of long ago, in this sublime mixed animation.
For over sixty years, loving grandmother Cecile St. Amant has been keeping a deep secret - she is Métis.
A short film on the subject of Indigenous Love. What is (romantic) love? And what does it mean to you? 8 couples share their thoughts
High Altitude explores what it means to be an Indigenous artist in the modern world.
Grand Chief Sheila North investigates unsolved murder of Missing and Murdered Indigenous Women and Girls.
A place called home, a North End poem.
"This video is available in French only. Use the Search or Explore site tools to select non-dialogue or English-language films and videos." Pour la réalisation de ce documentaire animé, les enfants du centre d'Assistance d'enfants en difficulté ont interviewé des personnes âgées en institution...
A love chronicle without the sex.
A documentary on the fine art of smoking Lake Winnipeg goldeye.
An introspective video poem exploring artistic process and nature in Riding Mountain National Park.
Rachki is an experimental video short looking at memory, migration, translation, and loss.
Première manifestation de l'artiste en Femme toupie, cette oeuvre explore le mouvement comme stratégie de déstabilisation de la normalité.
In Layers, Tracy Peters overlaps video and sound recordings of threatened barn swallows that occupy a farm shed slated for demolition.
Artistical deconstruction of two politically charged texts : the Canadian National Anthem (in English and French) and the Polish one. Can a woman aspire to and acquire a perfect pronunciation of the political texts that were mainly created by men?
This short film combines two opposite contexts of social interactions, one being life-size rock em' sock em’ boxing footage at a seedy cowboy bar, and the other a refined tea party for two set against the dramatic fall forest.
Notions of externalized and internalized journeys, identity and place, and the mundane and the exotic are explored in a series of clips from an imagined nature documentary series. At question is our spiritual and psychological relationship with the land and how we project our unmet needs and desires onto it.
In Forest Floor, Tracy Peters cuts a photographic print into shreds as she contemplates a decomposing forest floor.
Keitai Tokyo is a miniature memento of Tokyo. It was shot entirely on an au brand cell phone, which creates low-res, small video files for sending and viewing on cell phones